East Side West Side Episode Guide

East Side / West Side Episode Guide

Regular Cast:
Neil Brock — George C. Scott
Frieda “Hecky” Hechlinger — Elizabeth Wilson (episodes 1-21, 24)
Jane Foster — Cicely Tyson (episodes 1-21, 24)

Episodes are listed in order of production. Their sequence was shifted considerably for broadcast, primarily to frontload the stronger stories produced under the Arnold Perl regime. Two of the weakest early segments, “Creeps Live Here” and “My Child on Monday Morning,” were buried during the winter holidays, with the latter probably being distanced as much as possible from “No Wings at All,” another episode about a developmental disability. The pilot, “It’s War Man,” did not emerge until February, just after the series’ cancellation had been announced; it is likely that the producers had held out hope until then that CBS might fund reshoots to reflect the cast and set changes made after it was filmed.

“It’s War Man” (#1)
Broadcast February 10, 1964
The series’ pilot. Neil Brock is preparing to take a cushy writing job in the downtown office when his protegee, Tom Young, draws him into the case of a Latino gang leader charged with murder. Uncovering a racial motive for the killing, Brock lobbies a sympathetic judge to try the defendant as a juvenile.
Written by Robert Alan Aurthur.
Directed by Dan Petrie.
Produced by David Susskind.
Guest Stars
Victor Arnold as Tom Young
Alberto Castagna as Angelo Lopez
Dana Elcar as Father Mello
Torin Thatcher as Judge Morrison
Logan Ramsey as Bill Moran, the probation officer
Joanna Merlin as Mrs. Lopez
Diana Sands as Jane Foster
Sam Gray as Silverman, the public defender
Ramon Bieri as Brill, the prosecutor
Rosetta Veneziani as Mrs. Lombardi
Savvy Russo as Miguel
David Huddleston as a policeman (uncredited)
Associate Producer Audrey Maas. Original Music Composed by Robert Prince. Theme Music by Kenyon Hopkins. Music Supervisor Robert A. Israel. Director of Photography Arthur Ornitz. Film Editor Ralph Rosenblum. Art Director Richard Sylbert. Casting Consultants Alan Shayne, Michael Shurtleff. Titles Designed by Eckstein-Stone. Production Manager Joel Glickman. Assistant Directors Dan Eriksen, Stan Lang. Script Supervisor Sascha Laurance. Sound Engineer Charles Federmack. Sound Mixer Al Gramaglia. Prop Master Richard Tice. Chief Electrician Al Shaw. Head Grip Walter Engels. Make Up Vincent Callaghan. Hair Stylist Ed Callaghan. Wardrobe Max Solomon.

“The Sinner” (#2)
Broadcast September 23, 1964
A prostitute fights a losing battle for the custody of her child with the family of the baby’s absent father.
Written by Edward De Blasio.
Directed by Jack Smight.
Produced by Don Kranze.
Executive Producer David Susskind.
Guest Stars
Carol Rossen as Layna Harris
Richard Dysart as Tom Morgan
Clifford Pellow as Charlie Mooney
Alan Alda as Freddie Willis
Elizabeth Lawrence as Emily Mooney
Augusta Ciolli as Frances Pellegrino
Eda Reiss Merin as Ida Kopichek
Louis Guss as Adolph Kopichek
Candace Culkin as Lucille Kopichek
Virgilia Chew as Mrs. Larkin
Patricia Ripley as Mrs. Molloy
Essie Jane Coryell as Mrs. Danzer
Paula Bauersmith as the matron
Ben Aliza as George Martin
Jose Perez as Paco
Gloria Foster as the baby sitter
Gloria & Yvonne Reyes as the Harris Baby
Associate Producers Larry Arrick, Willard Levitas. Story Editor Irve Tunick. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Patricia Jaffe. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager Sal Scoppa. Assistant Director Dan Eriksen. Script Supervisor Renata Stoia. Script Research Pete Hamill, George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Wardrobe Supervision Max Solomon, Bea Leon. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“Creeps Live Here” (#3)
Broadcast December 23, 1963
Brock discovers that an apartment house scheduled for demolition and occupied by a sextet of crotchety old-timers was once a retreat for Herman Melville and Winslow Homer.
Written by Philip Reisman, Jr.
Directed by Walter Grauman.
Producer Don Kranze.
Executive Producer David Susskind.
Guest Stars
Patricia Collinge as Harriet Allen
Ruth Donnelly as Mrs. Gravetch
John Randolph as Mr. Cavan
Carolyn Brenner as Mrs. Weiss
Joe E. Marks as Mr. Cahoon
Lucy Landau as Mrs. Hosang
Olive Templeton as Mrs. Brandyberry
Alexander Clark as John B. Carmer
Toni Tucci as Mrs. Meely
Gene Hackman as the policeman
Alfred Hinckley as the zoning board chairman
Stephen Gray as the speaker
Associate Producers Larry Arrick, Willard Levitas. Story Editor Irve Tunick. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager Sal Scoppa. Assistant Director Peter Scoppa. Script Supervisor Renata Stola. Script Research Pete Hamill, George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Wardrobe Supervision Max Solomon, Bea Leon. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“You Can’t Beat the System” (#4)
Broadcast October 7, 1963
Brock coaxes an agoraphobic World War II veteran out of his apartment, only to find that the ex-hermit can no longer cope with the outside world. (Original title: “Change the World.”)
Written by Robert Van Scoyk.
Directed by Jack Smight.
Producer Don Kranze.
Executive Producer David Susskind.
Guest Stars
Joseph Turkel as Richard Bailey
Janet Margolin as Doris Arno
Martin Sheen as Vincent Arno
Alfred D’Annibale as the store clerk
Peter Gumeny as the bartender
Mary Hayden as Mrs. Lang
Alfred Leberfeld as the husband
Sylvia Davis as the wife
Associate Producers Larry Arrick, Willard Levitas. Story Editor Irve Tunick. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Patricia Jaffe. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Dan Eriksen. Script Supervisor Renata Stoia. Script Research Pete Hamill, George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Bea Leon. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“My Child on Monday Morning” (#5)
Broadcast December 16, 1963
Hecky’s friend refuses to commit her autistic daughter to an institution, even though the child’s special needs are tearing her family apart.
Written by Robert Crean.
Directed by Daniel Petrie.
Producer Don Kranze.
Executive Producer David Susskind.
Guest Stars
Marian Seldes as Nancy Morgan
James Noble as Tony Morgan
Renee Dudley as Amy Morgan
Brooke Adams as Markey Morgan
Rose Gregorio as Miss Reagan
Augusta Merighi as Mrs. Lipardo
Larry Bleidner as Mike, the autistic boy
Alba Oms as the Puerto Rican
D. P. Gilliam as the man
Associate Producers Larry Arrick, Willard Levitas. Story Editor Irve Tunick. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Renata Stoia. Script Research Pete Hamill, George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Bea Leon. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“Go Fight City Hall” (#6)
Broadcast November 11, 1963
Brock becomes involved in a clash between the residents of an apartment and the city council that wants to tear it down as part of an urban renewal project. (Original title: “Paper Trap.”)
Written by William M. Altman.
Directed by Marc Daniels
Producer Don Kranze
Executive Producer David Susskind.
Guest Stars
Clifton James as Dave Meltzer
Bette Henritze as Judy Meltzer
Richard Dysart as Tom Morgan
David Carradine as Hal Siwoski
Paul McGrath as Mark Hollister
Henry Sharp as Mr. Santaglio
Linda Canby as Carole Meltzer
Charles Durning as Dr. Markham
Roscoe Lee Browne as Mr. Worlsen, the architect
Katherine MacGregor (billed as Scottie MacGregor) as Grace Morrison
Will Hussung as the Board of Education bureaucrat
Bruce Kimes as the committee chairman
Joseph Warren as Louis Taylor
Sam Greene as a bureaucrat
Will Davis as Fred Jones
Barry Primus as Walter, the stock boy
Associate Producers Larry Arrick, Willard Levitas. Story Editor Irve Tunick. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Dan Eriksen. Script Supervisor Renata Stoia. Script Research Pete Hamill, George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Bea Leon. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“Age of Consent” (#7)
Broadcast September 30, 1963
A young couple’s plans to marry are disrupted when the girl’s father, a cynical cop, prosecutes her boyfriend for statutory rape.
Teleplay by Irve Tunick.
Story by David Michael-James.
Directed by Ralph Senensky.
Producer Don Kranze.
Executive Producer David Susskind.
Guest Stars
Carroll O’Connor as George Audette
Robert Drivas as John Ricci
Penny Fuller as Alice Audette
Paul Bryar as Ben Ricci
Elizabeth Moore as Mary Ricci
Alan Rich as Phil Mellon, John’s lawyer
David Hooks as Judge Frank Emery
William Adams as the old man in the park
Walt Wanderman as Thomas J. Conroy, a suspect
Robert Hooks (billed as Bobby Dean Hooks) as Detective Stern
Terry Culkin as the first young man
Anthony Di Raimondo as the second young man
Arthur Tell as the building superintendent
Associate Producers Larry Arrick, Willard Levitas. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Patricia Jaffe. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Belle Halpern. Script Research Pete Hamill, George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“I Before E Except After C” (#8)
Broadcast October 21, 1963
Brock and a caring teacher try to coax Puerto Rican juvenile delinquents back into school by instituting a progressive education program. (Original titles: “Schoolteacher,” “Little Girl Lost.”)
Teleplay by Ossie Davis and Arnold Perl.
Story by Ossie Davis.
Directed by Dan Petrie.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Howard DaSilva as Wallace Mapes
William Daniels as Harold Costigan
Alexander Lopez as Juano Pozo
Santiago Burgos as Power
Val Avery as Lt. Al Costello
Joan Croydon as Mrs. Mapes
Ben Hammer as Mr. Packer, the printer
Florence Stanley as Mrs. Pozo
Rebecca Darke as Miss Foss
Augie Rios as a gang member
Carl Trani as a gang member
Otis Young as the Spanish teacher
Jesse Gonder as himself
Associate Producer Willard Levitas. Story Editor Arthur Singer. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Richard Moses. Script Supervisor Belle Halpern. Script Research George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel.

“Something For the Girls” (#9)
Broadcast October 14, 1963
A wealthy socialite, sentenced to community service with Brock’s agency for her unpaid parking tickets, helps neglected teenage girls with makeup and exercise tips. (Original title: “The Diana Temple Story.”)
Written by Edward De Blasio.
Directed by Richard Whorf.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Diana Van Der Vlis as Dorlee Benjamin
Kathy Bell as Suzy Montrose
Jane Hoffman as Mrs. Montrose
Wendell K. Phillips as Judge Brand
Lou Gilbert as the textile shop proprietor
Harold Gary as Antonio Granelli, the gymnasium owner
Lilia Lazo as a woman
Philip Vandervort as a teenager
William Quinn II as a teenager
Maria Muller as a woman
Jo Ann Mariano as a teenager
Martha Courtot as a teenager
Patti Mariano as a teenager
Frank Christi as a policeman
Clifford Cothren as a policeman
Associate Producer Willard Levitas. Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Belle Halpern. Script Research George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“Not Bad For Openers” (#10)
Broadcast November 18, 1963
Brock helps a cab driver fight his addiction to gambling. (Original titles: “An Arm-Job to Oblivion,” “Shape Up For Eddie Best.”)
Written by Edward Adler.
Directed by Nick Webster.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Norman Fell as Eddie Best
Lee Grant as Nora Best
Martin Wolfson as Mark Best
Roger Carmel as Tiny
Albert Henderson as Lt. Walker
Dolph Sweet as Det. Sgt. Jim Heller
Anna Berger as Mrs. Castaldo
Melvin Stewart as the dispatcher
Charles Curiale as the mechanic
Brendan Fay as the gambler
Bert Conway as Frank
Neil Fitzgerald as Mr. O’Malley
Maurice Brenner as the first cabbie
Frank Simpson as the second cabbie
Richard Castellano as the third cabbie
Henry Evens as the fourth cabbie
Luis Hernandez as the gas pump attendant
Richard Robbins as the heliport passenger
Mark Gordon as the poker dealer
Associate Producer Willard Levitas. Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Walter Hess. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Richard Moses. Script Supervisor Belle Halpern. Script Research George C. White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“No Wings at All” (#11)
Broadcast October 28, 1963
Brock becomes the defender of a mentally retarded young man who is suspected of molesting children.
Teleplay by Allan E. Sloane.
Story by Allan E. Sloane and Jerome Lakefish.
Directed by Marc Daniels.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Theodore Bikel as George Everett, Sr.
Lou Frizzell as Georgie Everett, Jr.
Staats Cotsworth as the judge
Val Avery as Lt. Al Costello
Raymond St. Jacques as Dr. Warren
Louis Zorich as Patrolman Edward Lawrence
Virginia Kaye as Mrs. Simmons
Rona Gale as Laura Simmons
Sylvia Gassel as the older woman in the park
Helen Jean Arthur as the younger woman in the park
Maurice Shrog as the grocer
Mort Lichter as a policeman
Robert Macbeth as the police dispatcher
Mark Hunter as Georgie Everett (age 13)
Joey Trent as a teenager (in the park)
Phillip Fox as a teenager (in the park)
Robert Mariano as a teenager (in the park)
Steve Curry as a teenager (in the street)
Luke Halpin as a teenager (in the street)
Dal Jordan as a teenager (in the street)
Al Viola as the courtroom attendant
Associate Producer Willard Levitas. Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Art Director Sy Tomashoff. Costume Stylist Alice Manougian Martin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Renata Stoia. Script Research George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“Who Do You Kill” (#12)
Broadcast November 7, 1963
In a Harlem tenement, an unemployed black man’s plight becomes unbearable when his child dies after being bitten by a rat. (Though the title of this episode is given as “Who Do You Kill?” in production correspondence and most reference books, it appears on-screen without the question mark. Original title: “Gift of Laughter.”)
Written by Arnold Perl.
Directed by Tom Gries.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Diana Sands as Ruth Goodwin
James Earl Jones as Joe Goodwin
Maxwell Glanville as the Reverend Williams
George Gaynes as Mr. Stowe
P. Jay Sidney as Dr. Frazer
Stephen Pearlman as Krieger, the employment counselor
Godfrey Cambridge as Portly
John McCurry as Morgan
Dan Morgan as a doctor
Doris Belack as the nurse
Earl Sydnor as the undertaker
Cynthia Belgrave as a neighbor
Carla Pinza as Mrs. Martinez
Nancy Olivieri
Rai Saunders
Lenzie Perry
Associate Producer Willard Levitas. Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Richard Moses. Script Supervisor Nick Sgarro. Script Research George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Dick Vorisek. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“No Hiding Place” (#13)
Broadcast December 2, 1963
When a black couple moves into an all-white suburb and residents begin to sell out for fear of falling property values, Brock’s friends find that they aren’t as liberal as they thought.
Teleplay by Millard Lampell.
Story by Millard Lampell and John Gabriel.
Directed by Herschel Daugherty.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Lois Nettleton as Ann Severson
Ruby Dee as Marilyn Marsden
Joseph Campanella as Chuck Severson
Constance Ford as Polly Michaels
Earle Hyman as Marsden
Edwin Sherin as Hogarth, a realtor
Paul Dooley as Charlie Welty
Brenda Wilson as a woman at the party
Lia Waggner as a woman at the party
David Komoroff
Michael Baseleon
Ted Gunther
Dan Rubinate
MacIntyre Dixon
Thomas Anderson
Associate Producer Willard Levitas. Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Patricia Jaffe. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Renata Stoia. Script Research George White. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“Where’s Harry?” (#14)
Broadcast December 9, 1963
A Jewish businessman flees his stifling suburban existence and returns to his childhood tenement home, now occupied by a young black family.
Written by Stanley R. Greenberg.
Directed by Tom Gries.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Simon Oakland as Harry Bernstein
Norma Crane as Dolores Bernstein
James Edwards as Jackson
Royce Wallace as Clara Jackson
Joseph Bernard as Harry’s father
Muni Seroff as the doctor
Sylvia Gassel as Harry’s mother
Nathaniel Jones as George Jackson
Joyce Aaron
Melva Goodwin
Associate Producer Willard Levitas. Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Richard Moses. Script Supervisor Belle Halpern. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Dick Vorisek. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Adviser Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“Don’t Grow Old” (#15)
Broadcast February 17, 1964
When a heart condition forces an elderly construction worker to give up his job, he finds that he cannot adjust to idleness.
Written by Edward De Blasio.
Directed by Herschel Daugherty.
Producers Larry Arrick, Don Kranze.
Executive Producer Arnold Perl.
Guest Stars
Joe De Santis as Ralph Morelli
James Patterson as Fred Cameron
Will Lee as Schultz
Rose Arrick as Mary Teriski
Jess Osuna as Harry Teriski
Donna Zimmerman as Joanie Teriski
Mary Tahmin as Liz, the girl in the bar
Louis Criscuolo as Vito, Ralph’s friend
Sudie Bond as the messenger service manager
Hank Garrett as the fish market dock foreman
Marilyn Rogers as Sally, Joanie’s friend
Alfred De Arco as Carlos
James Dimitri as Hector Arigento
Jerome Guardino
James Dukas
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Renata Stoia. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“The $5.98 Dress” (#16)
Broadcast January 13, 1964
A woman who cannot support her family with the money she receives from welfare is jailed when she supplements her income by working.
Written by William M. Altman.
Directed by Ron Winston.
Producers Larry Arrick, Don Kranze.
Guest Stars
Kathleen Maguire as Josephine Stuart
Tim O’Connor as Mike Stuart
George Mathews as Hank Stone
Bonnie Bedelia as Linda Stuart
Val Avery as Lt. Al Costello
Joseph Sullivan as Judge Ben Caldwell
Ramon Bieri as Anderson, the prosecutor
John O’Leary as Ingram, the public defender
Salem Ludwig as Benton, the landlord
Tom Ahearne as the newsvendor
Phillip Fox as John Stuart
Billy Ayers as Greg Stuart
Clebert Ford as Crowley, the employment counselor
Michael Vale as Mr. Bowman, the supermarket manager
Martha Orrick as the supermarket cashier
Tom Signorelli as a reporter
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Patricia Jaffe. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Richard Moses. Script Supervisor Belle Halpern. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultant Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“The Beatnik and the Politician” (#17)
Broadcast January 20, 1964
Brock helps a group of beatniks to organize politically and oppose a corrupt ward boss when conflicts arise between the beatniks and their Italian neighbors in Greenwich Village. (Original title: “Poets, Peasants, and Politics.”)
Written by Robert Van Scoyk.
Directed by Allen Reisner.
Producers Larry Arrick, Don Kranze.
Guest Stars
Robert Middleton as Frank D’Angelo
Alan Arkin as Ted Miller
Melinda Dillon as Stella (Stacy) Barbella
John Beal as the party boss
Leslie Barrett as Lyle Ross
Ruth Volner as Rose Barbella
Barbara Feldon as Toni Ginger
Severn Darden as a beatnik
Eugene Troobnick as a beatnik
Harriet Golightly Perlo as a beatnik
Roddy Maude-Roxby as a beatnik
Elvera Pallas as Mrs. Lopiculo
Eugene R. Wood
Stevenson Phillips
Mark Jude Sheil
Page Johnson
Mitchell Nestor
Bob O’Connell
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Renata Stoia. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultant Bertram M. Beck, ACSW. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“One Drink at a Time” (#18)
Broadcast January 27, 1964
Brock tries to restrain a pair of end-stage alcoholic derelicts in the Bowery from drinking deadly wood alcohol.
Written by Edward Adler.
Directed by John Berry.
Producers Larry Arrick, Don Kranze.
Guest Stars
Maureen Stapleton as Molly Cavanaugh
J. D. Cannon as Sam Dingam
John Karlen as Billy Conrad
Tom Ahearne as Harry
Richard Schaal as Teddy Larson
James Luisi as Walter, the bartender
Albert M. Ottenheimer as Michaels
William Alton as the paint store clerk
Sam Raskyn
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Richard Moses. Script Supervisor Belle Halpern. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Wardrobe by Ohrbach’s. Filmed at Biograph Studios, N.Y.

“The Street” (#19)
Broadcast February 24, 1964
Brock finds a young teenager, who has run away from home because she hates her mother’s new boyfriend, living in a car.
Written by Millard Lampell (credited as “M. L. Paterson”).
Directed by Ron Winston.
Producer Larry Arrick.
Executive Producers David Susskind, Dan Melnick.
Guest Stars
Barbara Feldon as Joanna
Louise Troy as Bianca Santini
Linden Chiles as Congressman Charles Hanson
Paul Sand as the theatre director
Candace Culkin as Angela Santini
Tommy Norden as Joseph Santini
Dominic Chianese as Charley
Jose Perez as Tony
Barbara Glenn as Lucy
Jan Peters as the police sergeant
Calvin Ander as the man in the dressing room
Lucille Benson as the first woman in the dressing room
Liz Ingleson as the second woman in the dressing room
Martha Orrick as the third woman in the dressing room
Martin Priest
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Film Editor Patricia Jaffe. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager George Hall. Assistant Director Peter Scoppa. Script Supervisor Renata Stoia. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Filmed at Biograph Studios, N.Y.

“If Your Grandmother Had Wheels” (#20)
Broadcast March 2, 1964
A paraplegic becomes obsessed with walking again after he participates in an encouraging scientific study aimed at restoring mobility to paralysis victims.
Written by Allan E. Sloane.
Directed by Tom Gries.
Producer Larry Arrick.
Executive Producers David Susskind, Daniel Melnick.
Guest Stars
Alex Cord (billed as Alex Viespi) as Sam Yanichek
Linden Chiles as Congressman Charles Hanson
Vincent Gardenia as Dr. Warren
Philip Bruns as Apple
Shimen Ruskin as Mr. Wisansky
Sab Shimono as Lee, a lab technician
Stephen Zacharias as a paraplegic
Hank Garrett
Marin Riley
Page Jones
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Consultants Alan Shayne, Michael Shurtleff. Supervising Film Editor Sidney Meyers. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager David Golden. Production Co-Ordinator George Hall. Assistant Director Peter Scoppa. Script Supervisor Renata Stoia. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Furniture by A & S Galleries. Filmed at Biograph Studios, N.Y.

“The Passion of the Nickel Player” (#21)
Broadcast March 9, 1964
Brock tries to steer a twelve year-old runner for the numbers racket away from a life of crime.
Written by Edward Adler.
Directed by Charles S. Dubin.
Producer Larry Arrick.
Executive Producers David Susskind, Daniel Melnick.
Guest Stars
Joe Silver as Harry Silverman
Will Lee as Nat, the grocer
Val Avery as Lt. Al Costello
Paul Mace as Davie Macklin
John Connell as Walter Macklin
Martha Greenhouse as Mildred Silverman
Margaret Thompson as Maggie Macklin
Lori Heineman as Susie Macklin
Martin Sheen as the first arresting officer
Bill Lazarus as the second arresting officer
Cedric Jordan as the policeman in the station house
William Alton as the policeman in the diner
Tom Castronova as the policeman in Brock’s office
Robert Penn as the counterman
Avery Schreiber as the truck driver
Jacqueline Towns
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Director Alan Shayne. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager David Golden. Production Co-Ordinator George Hall. Assistant Director Allan Dennis. Script Supervisor Belle Halpern. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Marie Mann. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Furniture by A & S Galleries. Filmed at Biograph Studios, N.Y.

“Take Sides With the Sun” (#22)
Broadcast March 16, 1964
Brock is forced to choose between independence and the chance to make a bigger difference when Congressman Hanson invites him to join his staff.
Written by Allan E. Sloane.
Directed by Alex March.
Producer Larry Arrick.
Executive Producers David Susskind, Daniel Melnick.
Guest Stars
Linden Chiles as Congressman Charles Hanson
John McMartin as Mike Miller
Henderson Forsythe as Bowen Munro
Jessica Walter as Phyllis Dowling
Val Avery as Lt. Al Costello
Maurice Edwards
Elaine Hyman
Michael Hadge
Andrew Duncan
Tom Maxwell
Henry Howard
James Anderson
Tom L. Lillard
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Director Alan Shayne. Supervising Film Editor Sidney Meyers. Film Editor Patricia Jaffe. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager David Golden. Production Co-Ordinator George Hall. Assistant Director Allan Dennis. Script Supervisor Renata Stoia. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Marie Mann. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Furniture by A & S Galleries. Filmed at Biograph Studios, N.Y.

“The Name of the Game” (#23)
Broadcast March 23, 1964
An aging labor leader’s eagerness to battle an old industrialist foe gets in the way of progress when it appears that compromise is the wiser plan of action.
Written by Mel Goldberg.
Directed by Charles S. Dubin.
Producer Larry Arrick.
Executive Producers David Susskind, Daniel Melnick.
Guest Stars
Linden Chiles as Congressman Charles Hanson
Chester Morris as Walt McGill
Barry Morse as Matt Warren
Eugene Roche as Al Troy
Dan Travanty as Paul Jerome
Henderson Forsythe as Bowen Munro
John McMartin as Mike Miller
Barbara Mattes as Anna McGill
Jonathan Lippe as Phil Edmonson
Harry Davis as Dave, McGill’s friend
Moses Gunn as a labor committee member
Joseph Dolphin
Dan Rubinate
Neil Fitzgerald
Milo Boulton
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Director Alan Shayne. Supervising Film Editor Sidney Meyers. Film Editor Nicholas Meyers. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager David Golden. Production Co-Ordinator George Hall. Assistant Director Allan Dennis. Script Supervisor Belle Halpern. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Marie Mann. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Furniture by A & S Galleries. Filmed at Biograph Studios, N.Y.

“Nothing But the Half Truth” (#24)
Broadcast March 30, 1964
Brock’s conflict with Congressman Hanson’s oily public relations man comes to a head when Brock makes a controversial appearance on a popular talk show.
Written by Robert Van Scoyk.
Directed by Alex March.
Producer Larry Arrick.
Executive Producers David Susskind, Daniel Melnick.
Guest Stars
Linden Chiles as Congressman Charles Hanson
Colleen Dewhurst as Shirley Frost
Leon Janney as Roger Hamilton Bradcliffe
Joshua Shelley as Mel Chance
David Susskind as Himself
John McMartin as Mike Miller
Maria Brenes as Mrs. Valdes
Reni Santoni as Felipe Valdes
Epy Baca as Miguel Valdes
Luis Arroyo as Luis Valdes
Mark Gordon
Robert Fields
Robert Barend
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Director Alan Shayne. Supervising Film Editor Sidney Meyers. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager David Golden. Production Co-Ordinator George Hall. Assistant Director Allan Dennis. Script Supervisor Renata Stoia. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Furniture by A & S Galleries. Filmed at Biograph Studios, N.Y.

“The Givers” (#25)
Broadcast April 13, 1964
Brock and Hanson become involved in passing a bill that would reduce malpractice among contractors bidding for government-sponsored projects.
Written by George Bellak.
Directed by Tom Gries.
Producer Larry Arrick.
Executive Producers David Susskind, Daniel Melnick.
Guest Stars
Linden Chiles as Congressman Charles Hanson
Lee Philips as Frederick Trainor
John Dehner as John H. Manolis
Bert Convy as Michael Forrester
Mary Munday as Vivian Andrews
Clarice Blackburn as Gertrude Keller
Dan Frazer as Arthur Keller
Herbert Voland as Gabe Connors
Ralph Bell as General Wallach
Tom Gorman as Congressman McIllvaney
Michael Meinet as Phillipe, the waiter (uncredited)
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Director Alan Shayne. Film Editor Nicholas Meyers. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager David Golden. Production Co-Ordinator George Hall. Assistant Director Peter Scoppa. Script Supervisor Belle Halpern. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixer Albert Gramaglia. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Furniture by A & S Galleries. Filmed at Biograph Studios, N.Y.

“Here Today” (#26)
Broadcast April 27, 1964
While writing a series of articles on President Johnson’s War on Poverty, Brock witnesses the financial collapse of the last of New York’s independent newspapers.
Teleplay by Allan E. Sloane.
Story by Allan E. Sloane and Matthew Andrews.
Directed by John Berry.
Producer Larry Arrick.
Executive Producers David Susskind, Daniel Melnick.
Guest Stars
Linden Chiles as Congressman Charles Hanson
Walter Abel as Brew Bedford
Will Geer as Brian Lincoln
Lloyd Gough as Cliff Shaw
Frank Schofield as Charley Burns
Walter Coy as Sam Auburn
Louis Gossett as Martin Powers
Henderson Forsythe as Bowen Munro
Michael Dunn as the restroom attendant
Bob Alexander as a union representative
Henry Jaglom as a reporter
John Boruff
Tony Lombard
Edward Claymore
Thomas Murphy
Dan Rubinate
Story Editor Arthur Singer. Original Music Composed by Kenyon Hopkins. Music Production by R. A. Israel. Director of Photography Jack Priestley. Casting Director Alan Shayne. Film Editor Joan Chaffee. Art Director Sy Tomashoff. Costume Designer Gene Coffin. Production Manager David Golden. Production Co-Ordinator George Hall. Assistant Director Allan Dennis. Script Supervisor Belle Halpern. Script Research Emily Kaplin. Operating Cameraman Dick Kratina. Sound Engineer Ernie Zatorsky. Sound Mixing Recording Studios, Inc. Music & Sound Effects Editor Alan Heim. Chief Electrician Milton Moshlak. Prop Master Al Griswold. Head Grip Lou Cappeto. Make Up Vincent Callaghan. Hair Stylist Colleen Callaghan. Wardrobe Supervision Max Solomon, Tauhma Seid. Technical Consultants Bertram M. Beck, ACSW; Harold Weissman. Titles Designed by Eckstein-Stone. Furniture by A & S Galleries. Filmed at Biograph Studios, N.Y.

Network reruns continued through September 14, 1964.

George C. Scott and Diana Van Der Vlis in “Something For the Girls.”

back home contact